We stock a range of antiquarian music, books on music, manuscripts and autographs, with an emphasis on early printed editions and manuscript scores of important composers.Recent catalogues have included one of a very few surviving lifetime manuscripts of Scarlatti's harpsichord sonatas; a remarkable collection of vocal and instrumental music from the library of the duchesse de Berry; and inscribed first editions of works by Berg, Janacek, Poulenc, Rimsky-Korsakov, Schumann, Shostakovich, Stravinsky and Vaughan Williams.
[PROCESSIONAL, Dominican use.]
Processionarium ordinis fratrum praedicatorum.
Seville, Meinardus Ungut and Stanislaus Polonus, 3 April, 1494.
First edition of the first Spanish book to make extensive use of typeset music printing, one of the finest products of early Spanish typography.
La retorica … divisa in sette libri, dove si contiene tutto quello, che appartiene all’arte Oratoria. In...
Venice, Gabriel Giolitto, 1559.
Second edition, published in the same year as the first with a few amendments, of the earliest Italian and most innovative treatise on rhetoric. The author ‘builds an original account of rhetoric by adding Ciceronian and Hermogenean material to an Aristotle base’ (Mack, p. 172).
RIDOLFI, Luca Antonio.
Aretefila, dialogo, nel quale da una parte sono quelle ragioni allegate, le quali affermano, lo amore...
Lyons, Guillaume Rouillé, 1562.
Annotated copy, once owned by a music book collector, of the third edition (first 1557) of a remarkable Renaissance philosophical dialogue on the nature of love which marked the culmination of the very divisive ‘questione d’amore’ hotly debated in sixteenth-century literature.
Orationum tomi tres, nunc primum latine versi a Gulielmo Cantero Ultraiectino. Huc accessit orationum tomus...
Basel, Peter Perna and Heinrich Petrus, 1566.
First edition in Latin, a remarkable copy once owned by one of the preeminent music theorists and composers of Renaissance Italy, Gioseffo Zarlino. The translation was prepared from the Greek by the German scholar Wilhelm Canter (1542–1575), author of an acclaimed Syntagma, a systematic...
LECLAIR, Jean Marie.
Troisieme Livre de Sonates a violon seul avec la Basse Continue… Oeuvre V.
Paris, l’auteur, .
First edition. A luxury production, including some of the finest French baroque violin music, dedicated to King Louis XV, who had recently appointed Leclair ‘Ordinaire de la musique de la chambre du roy’
A Musical Dictionary; being a Collection of Terms and Characters, as well ancient as modern; including the historical,...
… London: Printed for J. Wilcox … 1740.
First edition, based largely on the Dictionnaire de Musique of Sébastien de Brossard and the musical articles in Chambers’s Cyclopaedia, with some original material. One of two variant issues, this has ‘A’ on the title-page above the ‘i’ in ‘Dictionary’.
[CONGREGATION OF THE ORATORY OF ST PHILIP NERI.]
A collection of seven componimenti sacri per musica for the Oratory of...
A collection of seven libretti for sacred oratorios, to be performed in the Oratory of St Philip Neri in Venice.
Zoroastre, tragedie, mise en musique par M. Rameau, représentée pour la premiere fois par l’Académie...
Paris, Boivin, Leclair, Castagneri and the author, [c. 1750].
First edition; rare. Despite a strong cast and a lavish production, Zoroastre met with only limited success (and, it seems, much bewilderment) when first performed at the Opéra in 1749. By May 1752 Rameau and the librettist Louis de Cahusac had begun an extensive reworking of the opera....
L’art, ou les principes philosophiques du chant. IIe edition, corrigée et augmentée.
Paris, Augustin-Martin Lottin, Michel Lambert and Nicolas-Bonaventure Duchesne, 1756.
First edition. The designation ‘IIe edition, corrigée et augmentée’ on the title arises from the publication in 1755 of L’art du chant, dedié a Madame de Pompadour by Jean-Antoine Bérard, whom Blanchet accuses of incorporating his material. The two works certainly include many passages which...
Del numero e delle misure delle corde musiche e loro corrispondenze. Dissertazione del P. D. Giovenale Sacchi...
Milan, [Giuseppe Mazzucchelli (colophon)], 1761.
First edition of Sacchi’s first work: a theoretical study of music and acoustic from a mathematical and physical perspective built upon the most innovative eighteenth-century physics. Galilei, Kapler, Newton, Mersenne, and contemporary works on the nature of air form the basis of Sacchi’s study of...
[GLUCK, Christoph Willibald.]
Paride ed Elena. Dramma per musica . . . dedicato a sua altezza, il Signor Duca Don Giovanni di Braganza.
Vienna, Johann Thomas von Trattner, 1770.
First edition of Gluck’s Paride ed Elena, which tells the story of events between the judgment of Paris and the flight of Paris and Helen to Troy. It was premiered at the Burgtheater in Vienna on 3 November 1770.
Le Devin du village, intermede, représenté devant Sa Majesté a Fontainebleau, le Mecredi 14 Novembre...
[Paris,] Pierre-Robert-Christophe Ballard, 1770.
Rare edition of a later lifetime performance of Rousseau’s influential opera, The Village Soothsayer, in an attractively unsophisticated sammelband of court operas.
[VOGEL, Johann Christoph.]
[France (probably Paris), c. 1787].
A contemporary scribal manuscript of Johann Christoph Vogel’s opera Démophon, from the library of Christoph Willibald Gluck.
WILSON, David (editor).
A Collection of Psalm and Hymn Tunes, &c. in three Parts …
[Edinburgh:] Sold by the Editor at his House … and by J. Hamilton, Music Seller … [c.1800?].
Second(?), expanded edition of this collection of (mostly) hymn tunes scored for treble, tenor, and bass. Though for most hymns the tunes only are printed, there are words for Cowper’s ‘Hark, my Soul!’ and one other, and at the end are the words and tunes for seven secular catches (in three...
Manuscript commonplace book of poems, songs, prayers, and letters.
An appealing commonplace book of verses and songs, with occasional prayers and letters, mostly written by George Moore (1794–1854), a London soda water manufacturer and amateur poet who was murdered by the notorious French revolutionary Emmanuel Barthélemy (1823–1855).
WAPPEROM, Jacobus Joannes.
Gezangen door J.J. Wapperom.
The Hague, 1805.
Very rare collection of songs by the Dutch notary and poet Wapperom (1763–1822), one of only a small number of copies produced, decorated by the author himself and distributed among his friends and family.
REICHARDT, Johann Friedrich. Goethe’s Lieder, Oden, Balladen und Romanzen mit Musik von J.F. Reichardt. Erste...
Leipzig, Breitkopf & Härtel, [1809–11].
Very rare first complete edition of Reichardt’s musical settings of Goethe’s poetry, comprising 128 settings of which thirty-nine appear here for the first time.
VERHEYEN, Pierre Emmanuel.
Requiem mass in C minor.
[Flanders, c. 1810.]
A very grand unpublished Requiem mass by the Flemish composer and singer Pierre Emmanuel Verheyen (1750–1819).
GROSSI, G. B. Gennaro.
Le Belle Arti.
Naples, dalla tipografia del Giornale Enciclopedico, 1820.
First edition in book form, reprinted from the Giornale Enciclopedico di Napoli, with some additional material in an appendix to the second volume. The first volume is on the music and musicians of Naples, the second volume deals with Neapolitan painters up to the eighteenth century.
Discorso sulla origine, progressi, e stato attuale della musica italiana …
Padua, ‘dalla Tipografia e Fonderia della Minerva’, 1821.
First edition of Majer’s treatise on music, ‘a conservative defence of tradition as part of a backlash against the popularity of Rossini’s reforms’ (Baragwanath, p. 29).