We stock a range of antiquarian music, books on music, manuscripts and autographs, with an emphasis on early printed editions and manuscript scores of important composers.Recent catalogues have included one of a very few surviving lifetime manuscripts of Scarlatti's harpsichord sonatas; a remarkable collection of vocal and instrumental music from the library of the duchesse de Berry; and inscribed first editions of works by Berg, Janacek, Poulenc, Rimsky-Korsakov, Schumann, Shostakovich, Stravinsky and Vaughan Williams.
SPRÜNGLI, Johann Jacob, editor.
Männergesänge von Freunden der Tonkunst gesammelt, dem Liederkranze zu Franfurt a. M. in Liebe...
Zürich, gedruckt bei J. J. Ulrich, im Verlage des Herausgebers, 1840.
First edition, the partbook issue. The work was also issued in score. Both are very rare, OCLC locating a copy of the 1st Bass part at Pittsburgh Theological Seminary, and a set at the Swiss National Library. There are apparently no copies in Germany: KVK shows the British Library copy (in score)...
Cavalleria Rusticana. Scene popolari. [Con disegni di Edoardo Calandra].
Turin, F. Casanova, 1884.
First edition. This is the source for Pietro Mascagni’s opera of the same name.
VERHEYEN, Pierre Emmanuel.
Requiem mass in C minor.
[Flanders, c. 1810.]
A very grand unpublished Requiem mass by the Flemish composer and singer Pierre Emmanuel Verheyen (1750–1819). Although not so indicated, this must be the Requiem mass dedicated to Haydn which Verheyen, a devoted follower, is known to have written following Haydn’s death in 1809 and which was first...
[VOGEL, Johann Christoph.]
[France (probably Paris), c. 1787].
A contemporary scribal manuscript of Johann Christoph Vogel’s opera Démophon, from the library of Christoph Willibald Gluck.