British literature and history from the sixteenth to the nineteenth century, with an emphasis on poetry, fiction, and drama.
We usually have a selection of literary works from the STC and Wing period (i.e. before 1701), and a broad range of eighteenth- and nineteenth-century fiction and poetry, particularly the Romantics. We also have a selection of historical manuscripts, prints and broadsides, and works in translation.
Among important works which have passed through our hands are the editor's presentation copy of Milton's Lycidas, Swift's Modest Proposal, the autograph draft of Byron's She walks in beauty, the autograph manuscript of Jane Austen's only play Sir Charles Grandison, Dickens’s copy of Vanity Fair, Trollope's classical library, and, over the years, some fifty Shakespeare First Folios.
A Letter to Dr Mead concerning some Antiquities in Berkshire, particularly shewing that the White Horse, which gives...
Oxford, Printed for Thomas Wood … 1738
First editions. A Letter to Dr Mead was the first serious archaeological study of the Uffington White Horse. Francis Wise, Keeper of the Archives at Oxford University and later a friend of Samuel Johnson, contends that the horse, which he eulogises as a work of art, had Saxon origins, because...
Lucy, Francis and Cousin Bill. A novel in three Volumes ...
London: Eden, Remington & Co. ... 1892.
First edition, rare. The preliminary leaves in each volume, though clearly correct, are not as called for in Wolff and the binding is more elaborate than his maroon coarse morocco cloth blocked in blind. Here there are only two preliminary leaves (half-title and title page) in each volume; Woolf, however,...
The Psalmes of David translated into Lyrick-Verse, according to the Scope, of the Original, and illustrated, with...
[Amsterdam:] Imprinted in the Netherlands by Cornelis Gerrits van Breughel, 1632.
First edition, dedicated to Princess Elizabeth, the ‘Winter Queen’, daughter of James I. The translation, a companion to Wither’s Hymnes and Songs of the Church, was written at the request of James, and finished shortly before his death in 1625: ‘I was commanded to perfect a Translation...
Juvenilia. A Collection of those Poemes which were heretofore imprinted, and written by George Wither.
London Printed for Robert Allott … 1633.
Second collected edition, very scarce, much expanded from the first edition of 1622, adding Wither’s Motto and Faire Virtue or the Maid of Philarete.
Speculum Speculativum: or, a Considering-Glasse; being an Inspection into the present and late sad Condition of...
London, Written June XIII. MDCLX. and there Imprinted the same year .
The third of three editions in the same year, from an entirely new setting of type, with ‘Glasse’ rather than ‘Glass’ on the title-page, the errata formerly printed on L8 corrected, and the errors corrected in the caption title on p. 1
a Chronicle of “Days that are no More.” A Novel in three Volumes. By one – who not unknown to fame, / Yet...
London: Remington and Co. ... 1879.
First edition of a Regency tale which ranges from the convivial to the lurid as its setting ranges from Brighton to London Fields. The central character is a public servant of great importance and varying fortunes (he offers perhaps a hint as to what kind of fame our author was ‘not unknown to’,...
WOOLLEY, C. Leonard and Thomas Edward LAWRENCE.
The Wilderness of Zin ... With a Chapter on the Greek Inscriptions by M.N. Tod....
London: The Alden Press for Jonathan Cape, 1936.
Second English edition. The Wilderness of Zin originally appeared as the Palestine Exploration Fund Annual for 1914-1915, and was the first work by Lawrence to appear in book form. However, it was included in the P.E.F. series on somewhat disingenuous grounds: ‘During January and February 1914,...
The White Doe of Rylstone; or the Fate of the Nortons. A Poem …
London: Printed for Longman, Hurst, Rees, Orme, and Brown … by James Ballantyne and Co., Edinburgh. 1815.
First edition. ‘During the summer of 1807, the Author visited, for the first time, the beautiful Scenery that surrounds Bolton Priory, in Yorkshire; and the Poem of The White Doe, founded upon a Tradition connected with the place, was composed at the close of the same year.’ (Advertisement). The...
Poems, in two Volumes … Vol. I [-II] …
London: Printed for Longman, Hurst, Rees, and Orme … 1807.
First edition. Much of Wordsworth’s most memorable verse is first printed here, including ‘She was a Phantom of Delight’, ‘Resolution and Independence’, the sonnets ‘Nuns fret not ...’, ‘It is a beauteous Evening, calm and free’, ‘Composed upon Westminster Bridge’ (‘Earth hath...
Lyrical Ballads, with a Pastoral and other Poems, in two Volumes … Third Edition.
London: Printed for T. N. Longman and O. Rees … by Riggs and Cottle …. 1802.
Second complete edition, with the Preface much enlarged and a new ‘Appendix’ on poetic diction (pp. 237-247 in volume II), one of the key theoretical texts of English Romanticism. For this edition, two poems were omitted, Coleridge’s ‘The Dungeon’ and Wordsworth’s ‘A Character’, several...
A Letter to a Friend of Robert Burns: occasioned by an intended Republication of the Account of the Life of...
London: Printed for Longman, Hurst, Rees, Orme, and Brown …1816.
First edition. James Currie’s Works of Burns with a life and letters was first published in 1800 and several times reprinted and enlarged.
WORDSWORTH, William [and Samuel Taylor COLERIDGE].
Lyrical Ballads, with other Poems. In two volumes … second Edition. London:...
by Biggs and Co. Bristol. 1800.
Second, definitive, and first complete edition of Lyrical Ballads. To volume I (first published at Bristol in 1798, reissued in London in the same year) Wordsworth added his famous preface, the manifesto of the Romantic movement – calling for, among other things, a poetry of ‘common life’, adopting...
The rural Christian; or, the Pleasures of Religion. An allegorical Poem: In four Books. To which are added, sylvan...
London: Printed for J. Buckland … 1772.
First edition of this volume of devotional pastoral verse, promoting the countryside as the ideal setting for Christian contemplation.
The Posthumous Works … in Prose and Verse. Faithfully publish’d from his original Manuscripts, by Mr. Theobald....
London: Printed for A. Bettesworth, J. Osborn, W. Mears, W. and J. Innys, J. Peele, T. Woodward; and F. Clay. 1728.
First edition of an important collection, comprising 308 maxims, one short essay and a large number of previously unpublished poems (the third paginated sequence), based on manuscripts acquired from Captain Thomas Shrimpton, Wycherley’s sole executor.
Miscellany Poems: As Satyrs, Epistles, Love-Verses, Songs, Sonnets, &c ...
London, Printed for C. Brome ... J. Taylor ... and B. Tooke ... 1704.
First edition of a substantial collection of previously unpublished poems, edited from Wycherley’s manuscripts in a last-ditch attempt to relieve him from debt. ‘It was badly misjudged. Poems on a womans’s “Fair Back-Side” and on another’s “Fine Breasts” were entirely at odds with the...
The Works of the Author of the Night-Thoughts. In four Volumes. Revised and Corrected by Himself. A new Edition....
First complete edition, comprising a new edition of volumes I-IV, reprinting the revised authorized edition of 1757 (in which Young collected his ‘most excusable’ pieces, with corrections to render them ‘as pardonable as it was in my power to do’); the posthumous fifth volume, originally published...
A Criticism on the Elegy written in a Country Church Yard. Being a Continuation of Dr. J-----n’s Criticism on...
London: Printed for T. Cadell … 1783.
First edition, the rare issue with Cadell’s name in the imprint, of which ESTC lists two copies (Glasgow University and Library Company of Philadelphia); almost all copies have a G. Wilkie imprint.
The Sophister. A Comedy …
London: Printed by J. O. for Humphrey Mosley, and are to be sold at his Shop … 1639.
First edition, attributed to Richard Zouche, Regius professor of civil law at Oxford from 1620 until his death. Only two literary works are credited to Zouche (1590-1651), a poem The Dove: or Passages of Cosmography (1613), and the present play, with its resoundingly legal vocabulary.